Sunday, February 27, 2011

Purple Nurples Cancer

SIMPLE MINDS : Chelsea girl


Acquired Woolworths in London in late 1983
Ref: ZUM 11 - Published by Zoom in Scotland in 1979
Support: 45 laps 17 cm
Titles: Chelsea girl - / - Garden of Hate

I think I remember that I had this 45 rpm in a batch of ten discs packaged in plastic bought from Woolworths in central London, as Mystic Knights of the Oingo Bongo . If so, since this is a group known one can be sure he was one of only two drives in the batch that the pocket was visible.
Chelsea Girl is the second single from Simple Minds, released a few weeks after the album and single titled Life in a Day ( Chelsea Girl is on the album). I bought this album when I had already Real to Real Cacophony and I remember it was pretty hard decried at the time. I had read at least one chronic who saw Simple Minds simple followers Magazine or XTC , even to hire their producer John Leckie, who in fact was not their first choice : they would prefer John Cale or John Anthony, the producer of Van Der Graff Generator.
The group quickly denied this album before released the second in the aftermath a few months later. This is certainly not a masterpiece, but also a very successful pocket, it provides at least two great songs, both singles, Life in a day and Chelsea Girl . Except that at the replay, the musical reference points seem to look more towards Ultravox! , Sparks, Roxy Music, the Stranglers or Velvet Underground than Magazine.
While the cover of the 45 laps Life in a Day was more than minimal, that of Chelsea Girl is almost luxurious, with a painting the face, Thomas Rathmell, and the back of Mary Ruth Craig. In fact, the latter who was first contacted for the cover, but was most inspired by the B-side, Garden of hate, and produced a beautiful picture though dreary that s' is naturally found on the back. To the front is Jim Kerr, who spotted the painting among counsel for Arista Records. He found it perfectly suited to illustrate this song, whose character is based on the model of Swingin 'London Jean Shrimpton . On
Chelsea Girl, Simple Minds is in its register more electric than synthetic. There is a big fat guitar riffs and even a solo. It's a song I still like very much, with a refrain not really pop but it works well. A few weeks after much listening Rock and Roll Heart by Lou Reed to chronicle the relationship of Chelsea Girl with Temporary Thing, reported by the site simpleminds.org , I have not jumped ears. After checking, I appreciate what they have been bitten by Lou Reed to build their membership, but it is far from a real plagiarism.
In a similar vein, with the garden in the title, I had a flick at heart when they hear the intro synth Garden of hate, which made me think of the Chinese Garden Taxi-Girl . There is also a small link in the theme of the lyrics, but even if listening to this song any more composed after the sessions of the album, could very possibly start with Taxi-Girl's urge to compose Garden Chinese any comparison ends there: the song of Taxi-Girl is a success to one thousand leagues above that of Simple Minds.



Friday, February 25, 2011

Stream With Iphone On Xepisodes

PRELUDE : Out there


Acquired on a garage sale around 2009 Epernay
Ref: 45.PY.3052 - Published by Pye in France in 1974
Support: 45 laps 17 cm
Titles: Out there - / - After the goldrush

Mojo recently devoted its cover to Neil Young for the forty years of the album Harvest . On this occasion, they produced a list of fifty "best" songs selected and with commentary by journalists and celebrities, including Howe Gelb, who referred to arcade Music, a title he has a cover sublime. I reported this to the story because we know that these rankings are as valuable as a poll allegedly conducted in good and due form, but Music Arcade finds himself at the very bottom of the table and it After The goldrush is No. 1. That at least allowed me to learn this song, like much of the album was inspired by a screenplay by Dean Stockwell and Herb Berman for a film that never happened. The theme the song remains enigmatic, but it obviously turned around ecology.
For years I refused to be interested in this period of Neil Young. Full new wave, I rejected particularly Harvest, which I thought was a typically hard hippies. I changed my mind since, and when I saw After the goldrush on the record sleeve of an unknown group, my curiosity was aroused and I took it. I do not know anything about this group, and at first view the scale model, I even thought it was called Out There and the A side was After the goldrush . In fact, Prelude is an English band and this is his first 45 laps, taken from their debut album How Long Is Forever? . Side A
Out there has all the attributes of the folk-rock song, between the Byrds and Fairport Convention , but there is something wrong, a rhythm a little lame, the ingredients do not mix well and it is frankly not a success.
is awaiting a bus that members of Prelude began to sing After the goldrush . That they liked and they recorded this great a cappella version, more Crosby Stills-Nash & Young-CSNY than themselves, which quickly found itself facing a A second edition of the 45 laps because it is this title which was a hit in Britain and the United States in 1974. It is also virtually the only tube Prelude , apart Platinum blonde in 1980, but it was twice as a new version was also ranked in the English charts in 1982.
In preparing this post, I (re) discovered with great surprise that I had since August 2008 in my iTunes version of After the goldrush by ... Nana Mouskouri! Nana was certainly inspired by the success of Prelude to include its version, also has cappella cover album in its Nana's book of songs appeared in the same year 1974. It's weird, but when she sings in English Nana gives me the impression of having a lisp (Nana has often performed this song on stage, as here in Monte Carlo in 1981 ). In style, it's worth the cover of Still I'm sad the Yardbirds by The Companions Chanso n in 1965 under the title Ravens winter . This is the version that Patrick French Eudeline has performed live in Perpignan in September 2005, accompanied by Pascal Comelade .

A live version of 'After the goldrush 1984.

Sunday, February 20, 2011

Games U Can Get Pregnant On

LE TONE : Joli dragon


Acquired probably in Reims in 1998
Ref: 004 / 3102-2 NV - Published by MangeDisc / Naïve in France in 1998
Support: CD 12 cm
Titles: Joli Dragon - Is it love - Joli Dragon (Mad Professor remix)

is the kind of thing a bit beta well stupid actually, which is perfect for me. A basic hip-hop, a hint of reggae, synth gurgling in the Perrey JJ (who The tone was honored with his first single Jean-Jacques and Dolphins) and some are looking for Judith nice dragon. Super.
In addition, it's not as if this thing happened to me from nowhere. It is as if the little dinosaur of Jonathan Richman had mutated nice dragon, gaining the ability to spit fire but lose all its verses. Since we are in the field of electronics funny, the approximation is more convincing with the famous Ball (come here)! of Production ptosis. I also think of a contemporary 1990s, Roudoudou and Peace and tranquility to Earth, and even more blatant on side B, Is it love , which starts way house music slowed sharply. The remix of
Joli Dragon by Mad Professor is too vague to be really interesting dub. Before consulting discography of The Tone , I completely forgot that, through its agreements with its shareholder Sony was Creation who released this record in England, where he has had some success . The English edition has many other remixes, but I am quite certain that only the original version is essential.

Friday, February 18, 2011

Pearl Jams Best Bootlegs

THE DAVE CLARK FIVE : Glad all over


Acquired at Age Concern in Dover December 29, 2010
Ref: DB 7154 - Published by Columbia in 1963 in England
Support: 45s 17cm
Titles: Glad All Over - / - I know After you

Lonnie Donegan and Johnny Kidd , here is a third and probably last record made in the small stack of 45s sixties found at Age Concern in Dover late December. As
Shakin 'All Over , Glad All Over was No. 1 in sales in England, early 1964, explaining that he can drag copies like this in the English province for years later. No. 1 above was I Want to Hold Your Hand and, like many English bands of the era, the entire route of the Dave Clark Five was done in the shadow of Beatles , including the United States where they were the second group of the British invasion to pass Ed Sullivan Show . The Dave Clark Five is a group that has been very successful, but not very good reputation and is instead relegated to the appendices of rock history. Significantly, perhaps I had one of their titles and there on compilations, but it's actually the first disc that I buy them, even if I had been a relatively short period of recovery time of Glad All Over by Pop Paraders .
I took the time to listen whole album of 1964 which the single figure and if the group was effective and dynamic place second knife seems artistically deserved. The song, often in several voices, is completely Beatles, as in hundreds of groups at the time. At music is often derivative, with decals credited to group members Twist and Shout (No time to lose ) and Tequila ( Chaquita ), a title inspired by the folk and gospel ( Doo Dah ) and good recovery Do you love me.
To stick to the 45s, the two sides are energetic and rhythmic. The B, I know you , a Beatles song decidedly too, but good guitar riffs and organ. The tube Glad all over the gun away Beatles and without a sound or garage tu Louie Louie , it is by its rhythmic, heavy drums (the drummer is the leader Dave Clark, whose instrument was placed in front on stage) and saxophone very fat, with a nice organ just behind. It will not look 12:00 to 2:00 p.m., but this title was released one year prior to the first Kinks riff is too often forgotten anthologies sixties.
The posthumous reputation of the Dave Clark Five was not favored by the jealousy aroused by the business sense by Dave Clark, who has retained the rights to such recordings, which allowed him to publish compilations of juicy, and acquired those of the BBC broadcast sixties Ready Steady Go! , whose reruns and video editions of the 80 included almost systematically, how strange, a benefit of the Dave Clark Five. One is never better served than by yourself ...

Sunday, February 13, 2011

Do Women Like Shaved Privates

FELT : Bubblegum perfume


Purchased at Big Primitive Sound System at the Apart Coffee Reims January 8, 2011
Ref: CRE LP 069 - Published by Creation in England in 1990
Support: 33 rpm 30cm
20 tracks

This is called closing the loop, or cut back without making it burst the big bubble of chewing gum that has swelled up. For
Felt few months after his separation, he was to put an end to his career with this first compilation of years Creation. For my part, fall on this disc after more than Twenty years in the same place where I "found" my copy of another compilation Creation, Sunset of Jasmine Minks, it also gave the impression of a closed chapter. While this is a long time that I am no longer an active member of Primitive Radio , it made me feel funny to fall on hard that I often get airplay, and even more to know that is to help ensure its financial survival that the association has resolved to sell them. I have long protested against
legend, created by Lawrence when the band split, which would he had the project starting out ten albums and ten singles of Felt before stopping. The first objection is that this statement knowingly fails Index, the first disc of Felt, recorded by Lawrence himself. I was wrong on this point, since I myself had overlooked the fact that this statement, found in very large on the face of the cover of this Bubblegum perfume, is subject to the restriction "" during the eighties. The account is good, so even if the idea of major project conducted from beginning to end is obviously a self-made legend, who has appealed to journalists. If I think
bio slipped into this copy of the disc sent to radio, the French journalists were not likely to take over this caption: Virgin France, which distributed Creation at the time, merely copied its letter-head one-page bio and half in English by Creation. Except that this bio does not date from 1990 but from 1988, when the output The Pictorial Jackson Review , the previous album appeared at Creation and distributed by Virgin. There is of course not once said that it is a posthumous compilation!
Lawrence has treated the pouch. For the first time, but not the last (see Tearing up the album chart or a picture spread in the press in 2010 ), he uses his body to give us information (here, a choice of four titles on the album). On the back, he plays well in writing, even in very large, "look the installment to the list of titles . And indeed, we find little in the coup, the list of twenty titles of the album on the thin edge of the pocket! I find the CD sleeve even more successful: as there is less room there is a close-up photography, with text that is truncated, and especially there a color on the pink and green that I like (For vinyl, red-green contrast is only used for disk labels).
is partly because I turned the page too Felt that I have not bought this disc to its output. The other reason is that, unlike Gold Mine Trash , compiling for the period equivalent Cherry Red, which contained two unreleased demos, it has only previously published titles, and I had already nineteen twenty (I lacked that Book of Swords , the single from the album without Lawrence Train Above the City ).
Casually, and despite the lack of budget to save, a tragedy for Lawrence, Felt was very prolific at Creation. In just three years, from 1986 to 1988, they released four singles and EPs plus or minus five albums more or less minis and more or less instrumental. I find the mix of twenty titles available and very well balanced for my taste. Quite logically, the priority seems to have been given the titles released albums out, which account for half the battery total. At the faces are all there ( Ballad Of The Band , Space blues, The final resting of Ark) , but also the best B-sides, as I did not mean to hurt you , Be still Beach Boys, the only recovery available on disk by Felt (They came to play other on stage. In Reims, in particular, they resumed Hyacinth House The Doors and undermine Outdoor of Wire) There's no such thing as victory . There are also strategically placed at the beginning and the end of the first face, the two B-sides of the maxi Rain of Crystal turns , I Will Die With My Head in Flames and Sandman's on the rise again . The more I hear these two songs very short and very fast and I like them! In addition, two of the three titles extracts Forever Breathes The Lonely Word are the faces of A max, which is therefore the only disks in Felt Creation to be fully repeated here.
instrumental side, the assay is good too. There are five, rather short, spread deftly across the disc. My favorites are Ferdinand Magellan , piano, and travel to enlightenment , extract Let the snakes crinkle Their Heads to Death .
One thing that remains mysterious is the title of the compilation. "Bubblegum perfume " does not seem to be extracted from the lyrics of a song Felt and I can not associate a smell of bubblegum, whatever the group. For cons, the fragrance and the colors are pink and green as a foretaste of Denim , the new project in which Lawrence had already plunged at the time of publication of this compilation.
There have been other compilations released since Felt. My advice would be to avoid Stains were decade, yet the only disk that covers the entire course of Felt, but only fifteen songs, which is not enough. It seems more sensible to combine Goldmine trash and Bubblegum perfume or two volumes of Absolute classic masterpieces . The problem is that if Cherry Red has reissued in 2003 and keeps the entire catalog available album Felt , compilations Catalog Creation, Bubblegum perfume and Absolute classic masterpieces II, are currently not available .

Saturday, February 12, 2011

Positive Sayings,pregnancy

THE DELGADOS : American trilogy


Acquired Oxfam Books & Music in Kentish Town
18 November 2010 Ref: Chem039CD - Published by Chemikal Underground Scotland in 2000
Support: CD 12 cm
Titles: American Trilogy (Edit) - Euphoria Heights - How Can We Hang On to a Dream?

The Oxfam charity shops are renowned for being among the most expensive. They are also among the only ones claiming to sell some discs priced collector. So Oxfam shop specializing in books and music in the middle of London, we are not surprised to find few bargains generally, but does not stop me to go take a look when I get the chance. And that day was festive. I do not know why, but there were developments in two-ray I'm interested. The thrillers were both at 99 pence, and I found two Richard Stark / Donald Westlake I did not, while CD singles were three to 99 pence. Rummaging though, I managed to do a lot comprising two-thirds of discs Delgados, including this one.
From the first seconds of American Trilogy, I knew that I knew this song, which means I probably somewhere on a CD compilation released by a magazine. I also immediately associate this song to my favorite time of Mercury Rev, Deserter's of the songs and Classic Goddess On A Hiway , which is not surprising because Dave Fridman put his paw producer on both discs. Fridman has a reputation for having a heavy hand in production and increase the layers of sound. Here, it certainly worked but it's very structure of the perfectly crafted and well proportioned. The strings in particular are present but small enough not to fall for whipped cream.
Side lyrics, it's quite surprising, with a narrator suffering from depression who trusts. I did not understand why the song is called American trilogy , but in any case it seems irrelevant An American Trilogy Mickey Newbury . If my favorite track of the rest The Delgados dirge , whose only flaw being a cover of the New Bad Things, American Trilogy ranks second in the standings and will be renamed Poulidor but it takes the top spot of the original titles of Annex Delgados.
If the first song is sung mainly by Alun Woodward, Emma Pollock is that it sticks fairly transparent to Euphoria Heights, a pretty nice song where the guitars are more in the background, leaving the show from the rhythm section. How Can We
hang on to a dream? is one of my favorite songs by Tim Hardin. The recovery in the Delgados are is nice but does not do much. I remember most noisy sound samples that serve as its backbone.

Sunday, February 6, 2011

Mammals Vs Reptiles Respiration

new to SKETCHUP! A vehicle

After the program SketchUp to go to a CNC (last year on this blog!)

here are 2 other links for SketchUp:

- install the animation tools ( set in motion a vehicle, a portal ...)

- and switch to SKETCHUP eDrawings (trial version) (for a better presentation!)

Interfacing Vest Sewing

LOU REED : Rock and roll heart


Purchased at the Little Shop Primitive in Reims in the late 1980's
Ref: AL 4100 - Published by Arista in the U.S. in 1976
Support: 33 laps 30 cm
12 titles

Regarding Lou Reed , my journey began with Street hassle. Then I redid part of the path in reverse to the tube being interested Walk on the Wild Side , the live electric Rock and roll animal , two disks that had a lot of friends, as Berlin, critics strongly recommended, so much so that the disk relatively disappointed me. Critics insisted much on the Velvet Underground , I happily discovered, and even Metal Machine Music, I made the mistake of giving me a price already collector, to celebrate the successful completion of a review I believe, and I do not regret having sold very quickly, except that I should try to get a better price.
Regarding Rock and Roll Heart , our roads had never crossed until the day of 1988 or 1989, when I heard the title track of the album, with the guitar riff saturated and the piano intro, the peculiar voice of Lou Reed and the organ on the chorus. And I said, "But it's crazy it looks like an excerpt from The Pictorial Jackson Review of Felt! ".
Luckily, someone put up for sale shortly after the primitive copy pressing in the American album, perfect condition and not too expensive. I have not missed ...
The song Rock and Roll Heart , the 45 rpm single from the album (it was not a pipe), remains One of my favorite disc. From the Velvets, Lou Reed sang the power of Rock and Roll . Here he talks about himself and his true nature: "I guess I'm just dumb ' Cause I Know That I is not smart, goal Deep down inside, I got a rock 'n' roll heart. Yeah-yeah-yeah, deep down inside I got a rock'n'roll heart "(" I must be a little beta, because I know I'm not keen mind, but in my heart, I got a heart rock and roll. Yé yé yé, deep inside of me, I have a heart rock and roll "). As Lou Reed this for years as an artist whose subject is rock and roll, I guess, if it should write or sing this song today, he would transform into rock and roll art . The only problem I have with this title is that I put myself in the lead our National Monument Rock could resume, on the advice of a good manager or his label. As far as I know he did not, but just to imagine singing "Oh Yéééééé! Yéééééé! Yéééééé! I have a rock heart and rolleeeuuu! "Bet I spoil my enjoyment one bit.
It's also about rock in the first title of the disc, I believe in love : "As everybody knows I believe in good time music. Yeah, good time rock 'n' roll. I believe in music, music, music. It'll Satisfy Your Soul, but - Oh, I believe in love (Good time music) . As much as I walk for Rock and Roll Heart, as there I really feel that Lou does not care about our mouth, as his " As everybody knows " and his "purpose " seem to indicate. He amuses himself on the end to make lots of different choruses on "I Believe in Love " and "Good time music " but I have as much trouble making this song the first degree that the entire discography Denim .
This disc is the first that Lou Reed has recorded for Arista after leaving RCA. It was recorded very quickly with a group including several musicians from the jazz scene. These are the three tracks where it means the more I like least: the instrumental Chooser And The Chosen One , Follow the leader and A Sheltered Life. It can not be coincidence that these last two titles are just two old songs that were already in the repertoire of Velvet, the first was performed live in 1969 (there is a version The Quine tapes ) and other was recorded as a demo in 1967 and published in the cabinet Peel Slowly and See . It has been fun and Reed mistreat them. At least A Sheltered Life is saved by his humor, Lou interpreting a character of provincial never left his hole ("Never Been to England , Never Been to France, never really Learned how to dance, I've never taken dope and I've never taken drugs, ah, I've never danced it a bear-skin rug, Guess It's True, What They Say All Those people, I'm gonna have to loose my hometown Ways ").
But there's a title on this album that sounds like the Velvet Underground, it's amazing Banging on my drum . The short instrumental part at the end makes me think even some pre-Velvet titles like You're driving me insane .
My other favorite tracks on the disc are Vicious circle, with fairly minimal voice well highlighted, You wear it so well a slow song with piano and brass, from Lou Reed fairly typical with Garland Jeffreys backing vocals, and finally the hard Temporary Thing , a title that seems slow paced and announce the next album, Street hassle.
surely I will not pretend that this album is a masterpiece, but it's a nice drive and very consistent, maybe a little too little known beyond the few excerpts that appear on compilations. In any case, I would bet that Lawrence had to use his copy to the bottom of the furrows.

Saturday, February 5, 2011

How To Masterbate With A Banna

GO-KART MOZART : Tearing up the album chart


Acquired by mail from Amazon in July 2005
Ref: BRUM 2 CD - Published by West Midlands in England in 2005
Support: CD 12 cm
12 titles

After the second album Denim , Denim on ice, I listened very little, I got a little disinterested activities of Lawrence. Novelty rock compilation I have not tried because I already had the vast majority of titles. I was not aware at the time of the mishap occurred in September 1997 in Lawrence when his final attempt to have a worldwide hit with Summer smash on EMI Major overturned at the last moment, the label that canceled out disc on the pretext that the gaiety of the tube shown in the second degree stuck with the wrong emotion aroused by the "Summer crash of Diana Spencer. And when Go-Kart Mozart released her debut album, Instant Wigwam and Igloo mixture, I had to be more or less familiar but I did not feel concerned enough to try to listen or buy this disc. By cons, who knows why, Tearing up when the album chart arrived in mid-2005, I told myself that it was nevertheless an album of Lawrence and I wanted to support it by buying the disc and mainly to see where he was musically.
And listen, the first happiness is to discover that Lawrence is actually there, and especially that he kept his voice and his singing brother of Lou Reed. Musically, it remains exactly in the line of denim, with a certain distance from the subjects, not to mention the songs in the third degree Most of the time, and still many references to the 1970s, starting with the cover, including the lettering is inspired by a James Last album . As for photos, Lawrence is very strong, since the bob and sees in a swimsuit on the cover of the book ("I still Want To Be a Star goal I just sold my guitar and You Know the Way Things Are .. . ). Inside, which unfolds in post, it is in the same outfit on a larger picture, sitting on a toilet lid, and you get to read the message written on his belly (he had already used this support in 1990 for the cover of the compilation Bubblegum perfume ): "Go-Kart Mozart - Classic upstarts.
If continuity with Denim is so strong because, as Lawrence explained including an interview with Magic in 2003, it is in fact inseparable projects, release under the name of being reserved for Denim discs with a large budget released by big labels, "B-sides" or recordings made with bits of string being reserved for Go-Kart Mozart. This explains why four of the songs were originally released on Denim take over the band's third album which never emerged.
Ultimately, while I ended up buying too Instant Wigwam and Igloo mixture , I would say Tearing up the album chart is my favorite album of post-production Felt of Lawrence. It's an album short and compact twelve good songs with a very strong unit, even if the palette of sounds ranging from electric rock to pop seventies, through various evolutions of synthetic sounds of the early 70's to the 80 (Jean-Jacques Perrey to new wave, actually). Although I guess the budget does not meet expectations of Lawrence, the sound is excellent and the project participants fairly numerous, including Terry Miles and WH Smiffy (the Smithy of Denim likely) to synths, Tony Barber (former Buzzcoks second generation) and Steve New (Rich Kids, who died at age 50 in 2010) guitars.
As I like the whole disc, it's hard to isolate securities. After referring to precedence Chicory Tip and Foghat, Lawrence cites this time Marmalade, a Scottish band from the early 70s, on Listening to Marmalade , perhaps his most since Index Electric in 1979! Oddly, Electric rock & roll is much less power. Rather it is a "highly artificial, almost new wave, in which Lawrence sings at the beginning, like Jona Lewie , which has just resumed Seaside Shuffle Terry Dactyl and the Dinosaurs opposite B Summer smash . With each listen, it feels strange to hear him sing "Ooh rock & roll" ... Summer is here
is very pop and may be regarded as a Summer smash bis. Both titles were strung building site, which recalls the rhythmic In the Summertime Mungo Jerry and Fuzzy duck, a waltz punctuated by sound strangled duck electronic are perhaps those where Lawrence gives the impression most of us take the leg and have his tongue in cheek, as they say in English.
More than fifteen years after his departure from Felt, it seems that Lawrence had yet to pass a message to Maurice Deebank. He uses Delta Echo Echo Beta Alpha Neon Kettle the international radio alphabet, but the message remains cryptic, it seems fair to question the memory of a police control. The title itself sounds like Devo or Taxi-Girl first period.
At least two titles clearly refer to the world of drugs and drug addicts, At The DDU ( At the control center Addiction ), which begins before you leave enough electricity in a soaring pop chorus on a surprise, "You Know That massive shot of meth Will not Hit You At The DDU " and & Donna ; The Dopefiends ("Hey Donna come on, I want to score, Donna Hey come on, I want some more ). It is a world which at first glance would have seemed completely foreign to Lawrence Felt, but these words and pictures of a gaunt Lawrence suggests that there's lived there, what confirms an article from 2010 Guardian which speaks of a time when Lawrence was in the hole, addicted to smack and homeless.
This period seems happily over and 2011 should be a year full of projects for Lawrence (but let us beware, these projects were already announced for 2010 and Lawrence is no stranger to incessant delays), with two discs to finalize Go-Kart Mozart, the mini-album Mini-Mart and the album On the street hot dog, and two projects with Paul Kelly, documentary, Lawrence Of Belgravia , a draft was proposed in London several years ago , and a book of photographs accompanied by Felt extracts from the newspaper of Lawrence.

Tearing up the album chart is always available, especially in its distributor Cherry Red .