Sunday, February 13, 2011

Do Women Like Shaved Privates

FELT : Bubblegum perfume


Purchased at Big Primitive Sound System at the Apart Coffee Reims January 8, 2011
Ref: CRE LP 069 - Published by Creation in England in 1990
Support: 33 rpm 30cm
20 tracks

This is called closing the loop, or cut back without making it burst the big bubble of chewing gum that has swelled up. For
Felt few months after his separation, he was to put an end to his career with this first compilation of years Creation. For my part, fall on this disc after more than Twenty years in the same place where I "found" my copy of another compilation Creation, Sunset of Jasmine Minks, it also gave the impression of a closed chapter. While this is a long time that I am no longer an active member of Primitive Radio , it made me feel funny to fall on hard that I often get airplay, and even more to know that is to help ensure its financial survival that the association has resolved to sell them. I have long protested against
legend, created by Lawrence when the band split, which would he had the project starting out ten albums and ten singles of Felt before stopping. The first objection is that this statement knowingly fails Index, the first disc of Felt, recorded by Lawrence himself. I was wrong on this point, since I myself had overlooked the fact that this statement, found in very large on the face of the cover of this Bubblegum perfume, is subject to the restriction "" during the eighties. The account is good, so even if the idea of major project conducted from beginning to end is obviously a self-made legend, who has appealed to journalists. If I think
bio slipped into this copy of the disc sent to radio, the French journalists were not likely to take over this caption: Virgin France, which distributed Creation at the time, merely copied its letter-head one-page bio and half in English by Creation. Except that this bio does not date from 1990 but from 1988, when the output The Pictorial Jackson Review , the previous album appeared at Creation and distributed by Virgin. There is of course not once said that it is a posthumous compilation!
Lawrence has treated the pouch. For the first time, but not the last (see Tearing up the album chart or a picture spread in the press in 2010 ), he uses his body to give us information (here, a choice of four titles on the album). On the back, he plays well in writing, even in very large, "look the installment to the list of titles . And indeed, we find little in the coup, the list of twenty titles of the album on the thin edge of the pocket! I find the CD sleeve even more successful: as there is less room there is a close-up photography, with text that is truncated, and especially there a color on the pink and green that I like (For vinyl, red-green contrast is only used for disk labels).
is partly because I turned the page too Felt that I have not bought this disc to its output. The other reason is that, unlike Gold Mine Trash , compiling for the period equivalent Cherry Red, which contained two unreleased demos, it has only previously published titles, and I had already nineteen twenty (I lacked that Book of Swords , the single from the album without Lawrence Train Above the City ).
Casually, and despite the lack of budget to save, a tragedy for Lawrence, Felt was very prolific at Creation. In just three years, from 1986 to 1988, they released four singles and EPs plus or minus five albums more or less minis and more or less instrumental. I find the mix of twenty titles available and very well balanced for my taste. Quite logically, the priority seems to have been given the titles released albums out, which account for half the battery total. At the faces are all there ( Ballad Of The Band , Space blues, The final resting of Ark) , but also the best B-sides, as I did not mean to hurt you , Be still Beach Boys, the only recovery available on disk by Felt (They came to play other on stage. In Reims, in particular, they resumed Hyacinth House The Doors and undermine Outdoor of Wire) There's no such thing as victory . There are also strategically placed at the beginning and the end of the first face, the two B-sides of the maxi Rain of Crystal turns , I Will Die With My Head in Flames and Sandman's on the rise again . The more I hear these two songs very short and very fast and I like them! In addition, two of the three titles extracts Forever Breathes The Lonely Word are the faces of A max, which is therefore the only disks in Felt Creation to be fully repeated here.
instrumental side, the assay is good too. There are five, rather short, spread deftly across the disc. My favorites are Ferdinand Magellan , piano, and travel to enlightenment , extract Let the snakes crinkle Their Heads to Death .
One thing that remains mysterious is the title of the compilation. "Bubblegum perfume " does not seem to be extracted from the lyrics of a song Felt and I can not associate a smell of bubblegum, whatever the group. For cons, the fragrance and the colors are pink and green as a foretaste of Denim , the new project in which Lawrence had already plunged at the time of publication of this compilation.
There have been other compilations released since Felt. My advice would be to avoid Stains were decade, yet the only disk that covers the entire course of Felt, but only fifteen songs, which is not enough. It seems more sensible to combine Goldmine trash and Bubblegum perfume or two volumes of Absolute classic masterpieces . The problem is that if Cherry Red has reissued in 2003 and keeps the entire catalog available album Felt , compilations Catalog Creation, Bubblegum perfume and Absolute classic masterpieces II, are currently not available .

Saturday, February 12, 2011

Positive Sayings,pregnancy

THE DELGADOS : American trilogy


Acquired Oxfam Books & Music in Kentish Town
18 November 2010 Ref: Chem039CD - Published by Chemikal Underground Scotland in 2000
Support: CD 12 cm
Titles: American Trilogy (Edit) - Euphoria Heights - How Can We Hang On to a Dream?

The Oxfam charity shops are renowned for being among the most expensive. They are also among the only ones claiming to sell some discs priced collector. So Oxfam shop specializing in books and music in the middle of London, we are not surprised to find few bargains generally, but does not stop me to go take a look when I get the chance. And that day was festive. I do not know why, but there were developments in two-ray I'm interested. The thrillers were both at 99 pence, and I found two Richard Stark / Donald Westlake I did not, while CD singles were three to 99 pence. Rummaging though, I managed to do a lot comprising two-thirds of discs Delgados, including this one.
From the first seconds of American Trilogy, I knew that I knew this song, which means I probably somewhere on a CD compilation released by a magazine. I also immediately associate this song to my favorite time of Mercury Rev, Deserter's of the songs and Classic Goddess On A Hiway , which is not surprising because Dave Fridman put his paw producer on both discs. Fridman has a reputation for having a heavy hand in production and increase the layers of sound. Here, it certainly worked but it's very structure of the perfectly crafted and well proportioned. The strings in particular are present but small enough not to fall for whipped cream.
Side lyrics, it's quite surprising, with a narrator suffering from depression who trusts. I did not understand why the song is called American trilogy , but in any case it seems irrelevant An American Trilogy Mickey Newbury . If my favorite track of the rest The Delgados dirge , whose only flaw being a cover of the New Bad Things, American Trilogy ranks second in the standings and will be renamed Poulidor but it takes the top spot of the original titles of Annex Delgados.
If the first song is sung mainly by Alun Woodward, Emma Pollock is that it sticks fairly transparent to Euphoria Heights, a pretty nice song where the guitars are more in the background, leaving the show from the rhythm section. How Can We
hang on to a dream? is one of my favorite songs by Tim Hardin. The recovery in the Delgados are is nice but does not do much. I remember most noisy sound samples that serve as its backbone.

Sunday, February 6, 2011

Mammals Vs Reptiles Respiration

new to SKETCHUP! A vehicle

After the program SketchUp to go to a CNC (last year on this blog!)

here are 2 other links for SketchUp:

- install the animation tools ( set in motion a vehicle, a portal ...)

- and switch to SKETCHUP eDrawings (trial version) (for a better presentation!)

Interfacing Vest Sewing

LOU REED : Rock and roll heart


Purchased at the Little Shop Primitive in Reims in the late 1980's
Ref: AL 4100 - Published by Arista in the U.S. in 1976
Support: 33 laps 30 cm
12 titles

Regarding Lou Reed , my journey began with Street hassle. Then I redid part of the path in reverse to the tube being interested Walk on the Wild Side , the live electric Rock and roll animal , two disks that had a lot of friends, as Berlin, critics strongly recommended, so much so that the disk relatively disappointed me. Critics insisted much on the Velvet Underground , I happily discovered, and even Metal Machine Music, I made the mistake of giving me a price already collector, to celebrate the successful completion of a review I believe, and I do not regret having sold very quickly, except that I should try to get a better price.
Regarding Rock and Roll Heart , our roads had never crossed until the day of 1988 or 1989, when I heard the title track of the album, with the guitar riff saturated and the piano intro, the peculiar voice of Lou Reed and the organ on the chorus. And I said, "But it's crazy it looks like an excerpt from The Pictorial Jackson Review of Felt! ".
Luckily, someone put up for sale shortly after the primitive copy pressing in the American album, perfect condition and not too expensive. I have not missed ...
The song Rock and Roll Heart , the 45 rpm single from the album (it was not a pipe), remains One of my favorite disc. From the Velvets, Lou Reed sang the power of Rock and Roll . Here he talks about himself and his true nature: "I guess I'm just dumb ' Cause I Know That I is not smart, goal Deep down inside, I got a rock 'n' roll heart. Yeah-yeah-yeah, deep down inside I got a rock'n'roll heart "(" I must be a little beta, because I know I'm not keen mind, but in my heart, I got a heart rock and roll. Yé yé yé, deep inside of me, I have a heart rock and roll "). As Lou Reed this for years as an artist whose subject is rock and roll, I guess, if it should write or sing this song today, he would transform into rock and roll art . The only problem I have with this title is that I put myself in the lead our National Monument Rock could resume, on the advice of a good manager or his label. As far as I know he did not, but just to imagine singing "Oh Yéééééé! Yéééééé! Yéééééé! I have a rock heart and rolleeeuuu! "Bet I spoil my enjoyment one bit.
It's also about rock in the first title of the disc, I believe in love : "As everybody knows I believe in good time music. Yeah, good time rock 'n' roll. I believe in music, music, music. It'll Satisfy Your Soul, but - Oh, I believe in love (Good time music) . As much as I walk for Rock and Roll Heart, as there I really feel that Lou does not care about our mouth, as his " As everybody knows " and his "purpose " seem to indicate. He amuses himself on the end to make lots of different choruses on "I Believe in Love " and "Good time music " but I have as much trouble making this song the first degree that the entire discography Denim .
This disc is the first that Lou Reed has recorded for Arista after leaving RCA. It was recorded very quickly with a group including several musicians from the jazz scene. These are the three tracks where it means the more I like least: the instrumental Chooser And The Chosen One , Follow the leader and A Sheltered Life. It can not be coincidence that these last two titles are just two old songs that were already in the repertoire of Velvet, the first was performed live in 1969 (there is a version The Quine tapes ) and other was recorded as a demo in 1967 and published in the cabinet Peel Slowly and See . It has been fun and Reed mistreat them. At least A Sheltered Life is saved by his humor, Lou interpreting a character of provincial never left his hole ("Never Been to England , Never Been to France, never really Learned how to dance, I've never taken dope and I've never taken drugs, ah, I've never danced it a bear-skin rug, Guess It's True, What They Say All Those people, I'm gonna have to loose my hometown Ways ").
But there's a title on this album that sounds like the Velvet Underground, it's amazing Banging on my drum . The short instrumental part at the end makes me think even some pre-Velvet titles like You're driving me insane .
My other favorite tracks on the disc are Vicious circle, with fairly minimal voice well highlighted, You wear it so well a slow song with piano and brass, from Lou Reed fairly typical with Garland Jeffreys backing vocals, and finally the hard Temporary Thing , a title that seems slow paced and announce the next album, Street hassle.
surely I will not pretend that this album is a masterpiece, but it's a nice drive and very consistent, maybe a little too little known beyond the few excerpts that appear on compilations. In any case, I would bet that Lawrence had to use his copy to the bottom of the furrows.