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Updated

Just to say that I just put my blog updated (heu. .. almost!) so feel free to come down and see the previous ...... THANK

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My Photo

IT acts of photos taken at my lorqui my shutters are closed (Le Mans)

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arch window (continued)

Mainz (Germany ): I like this photo (taken without editing) just for the small angle that passes the ceiling of the lobby of the bank (you think possible?)
This and the one below are attempts to "combine" two buildings into one: I am not satisfied with the result but the idea is omnipresent in my architectural tours. (Le Mans, Republic Square)

I like this sculpture (Le Mans)

And it also ! (Mainz)

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Photo archi

The Calatrava tower in Malmo (Seen in 2006) so colorful "equalizer" by me
architectural walk in Ivry-sur-Seine to meet a single architect, Jean Renaud (thank you David)
These are pieces of furniture to furnish the inside?!

Le Mans: MMA tower becomes a highrise

Nothing to say everyone knows at Le Mans!

Close one eye, wrinkles and you will see the other steps

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Mc Cracken at Documenta in Kassel

Mc Cracken is a minimalist artist I discovered at the Documenta 12 in Kassel in June 2007, I take pictures because its volume can be fun with the eye of the camera and the complexity of minimum volumes.

This polished bronze can make a real "matrix" for its shape and its ability to reflect
No, it is not transparent but reflects, this is the same here Desousa

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Install. + light blocks (trials)

Magnet play with perception, it is normal for me to use the light! I spend maybe the white cube to science fiction. But having discovered that projects Anti VJ at the architectural level, I wanted to try playing with the edges of my block.

and no! we can not give an illusion without unique perspective even with the light: the viewer is always in front of the magician lorqui it is his turn.

it dazzles anyway just

attempt to give the illusion of transparency of my blocks

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Install. + monochrome blocks

My photographs kill the blue monochrome (c ' is a pity because I really like this blue night is perceived by nearly black!)
Yes you can sit down, it's also why ...

Having seen the monochrome of a student, Min-Hui, in 4th year at Le Mans ESBA as I have thought it would be interesting to show them by using my installation.

I therefore take the liberty of my forms are also furniture as sculpture or functional object, the Red and Blue Chair Rietveld or paint.

My work is similar in design to that effect but this time formal study and am interested more graphic than the study of material strength or the study of the cost for mass production. ...

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Install. blocks (more)

My assembly is closer to the architectural Malevich by using the geometric volume and white. In this sense the report to the architecture is not the external form, thinking about architectons as models of construction "that will change the world" (supremacy) or are a reaction to society and Soviet policy of his time (incidentally he also objects such as teapots or cups, so that brings the subject goods), but here the construction plays with the shape of the interior and the space s' finds: the medium of painting in volume.

My forms are not responses or reactions to the society and politics (which pushes the radical) but rather the reactions and movements of the painting and in some cases (rayograms) drawing. Paintings and drawings to be placed in construction, geometric abstraction, the representation of the geometry of the architecture so.

The goal is not to "be in the painting" or remove the distance between the viewer and the picture since this distance between us and applies to any object visible and therefore we are never actually "in things." Rather mutliplier of these distances, thus allowing views from the looks and body to move: Rauschenberg used this material to "let the light paint" by a space (seen in denmark maze pdt Gluts on a retrospective in 2006) where you can move between windows or forms are painted colors that can be overlaid, is confronted by transparency ": a way to combine the look and movement and to multiply these schemes. White has not aim to "radicalize" allows the use of light for its ability to vary the "colors" by the different gray it gives.

known it is white but we do not see any white faces and shadows that fit together to reveal, hide, disappear and even "play with the light source."

RELATIONSHIP BETWEEN KNOWLEDGE AND VISION: The eye and the spirit of Merleau-Ponty and phenomenology relationship between one who sees what he knows (factual position, material), instead of abstraction / and those who let themselves be fooled by the perseptions by the illusions (the effects of optical ,...).( position of the dream, intangible) = MATERIALS / LIGHT

The use of color as SYMBOL is reductive with respect to its ability to give us the world.

Under construction

Relationship between wood and white