My assembly is closer to the architectural Malevich by using the geometric volume and white. In this sense the report to the architecture is not the external form, thinking about architectons as models of construction "that will change the world" (supremacy) or are a reaction to society and Soviet policy of his time (incidentally he also objects such as teapots or cups, so that brings the subject goods), but here the construction plays with the shape of the interior and the space s' finds: the medium of painting in volume.
My forms are not responses or reactions to the society and politics (which pushes the radical) but rather the reactions and movements of the painting and in some cases (rayograms) drawing. Paintings and drawings to be placed in construction, geometric abstraction, the representation of the geometry of the architecture so.
The goal is not to "be in the painting" or remove the distance between the viewer and the picture since this distance between us and applies to any object visible and therefore we are never actually "in things." Rather mutliplier of these distances, thus allowing views from the looks and body to move: Rauschenberg used this material to "let the light paint" by a space (seen in denmark maze pdt Gluts on a retrospective in 2006) where you can move between windows or forms are painted colors that can be overlaid, is confronted by transparency ": a way to combine the look and movement and to multiply these schemes. White has not aim to "radicalize" allows the use of light for its ability to vary the "colors" by the different gray it gives.
known it is white but we do not see any white faces and shadows that fit together to reveal, hide, disappear and even "play with the light source."
RELATIONSHIP BETWEEN KNOWLEDGE AND VISION: The eye and the spirit of Merleau-Ponty and phenomenology relationship between one who sees what he knows (factual position, material), instead of abstraction / and those who let themselves be fooled by the perseptions by the illusions (the effects of optical ,...).( position of the dream, intangible) = MATERIALS / LIGHT
The use of color as SYMBOL is reductive with respect to its ability to give us the world.
Under construction 
Relationship between wood and white 
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