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A red spring! Erik

June

While the cold just made its appearance in France, the snow covers the landscape, as winter arrives before the time, it is good to warm the spirit with some spring pictures and stained. I've given up in the rollers of the White with a red dot done with a few petals of poppies. I accompany you in this place again with a series of works that make continuity with those I've previously featured on this blog under the theme "Red .

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Samakh "greenhouse effect". A balanced

Chance.

few days ago, via Embrun, I saw a banner indicating the current exhibition "Greenhouse effect" by Erik Samakh. This weekend, I returned with my camera to visit these facilities.

Suspended.

The town of Embrun is built on a natural plateau suspended above the flood plain of the Durance . conglomerate rock which forms the plateau allowed to develop spray-cellars, terraces and gardens the edge and the wall of the cliff (photo above). It was just outside of this cliff, behind the walls of the fortified city that is the "Rock Garden" where Erik Samakh has installed these greenhouses.

Presentation

At the entrance to the garden a plastic sheet indicates the dates and venues of the exhibition and explanation of the artistic process Erik Samakh (a piece of the poster above). As soon as you cross into the "Rock Garden", one can see the first two greenhouses that are arranged on the lawn of the promontory and it takes a little time observing to see the latest emissions that is slightly higher on the wall. The three greenhouses are identical in size, they measure about 3 feet wide by 5 feet long, they have an aluminum frame with transparent glass walls and are completely closed to the public.

Drops

The first greenhouse is at the center of the lawn at the entrance of the garden, one sees rooftop solar panels used to operate the facility. Unlike the other two, this first installation is very opaque, so that one does not distinguish well what's going on inside the greenhouse. Getting closer, you can hear the sound of water falling into a pool as if it was at the foot of a waterfall deep in a gorge. In fact, the solar panels used to operate a pump that feeds the pond water with drip irrigation is suspended beneath the roof. The installation re-creates the greenhouse effect. The sounds emitted are very relaxing for those who stop nearby.

Murmurs.

In the order of the visit, then we arrive on this second greenhouse which is filled with potted bamboo whose peaks emerge from the roof. In reading the presentation, we learn that this plant was conducted with public participation. Unfortunately, it is not at all informed about the progress of this workshop and the involvement of persons enrolled in this workshop. Apart from this detail, this bushy plant contains the same method as the first greenhouse. A drip of water dropped into a central basin and at times, sounds childish whisper some word sounds in this mass of bamboo.

nightlife.

The third and final emissions is above the garden, one of the old city walls. It is necessary to approach to understand the installation. A tangle of wires hanging from the roof and a fan static. The wiring is connected to solar panels that are arranged on the roof. There was no noise, nothing moves and for good reason, this greenhouse works only at night and it makes the point with the cons first greenhouse, which is called "day". The work unfortunately suffered some damage, some windows were broken to allow a few people back in this space closes. More than flying apparatus, one can easily imagine that on warm summer nights, it is attractive to be able to go inside the place to experience the effect felt by the blast of air from the fan and agitation of the LEDs. This ephemeral work has enabled some to spend evenings atypical.

Embrunais

The hanging garden to discover the works of Erik Samakh but also the fabulous landscape of Embrunais with the village of Saint-Sauveur (above) and Pico Boussolenc illuminated by the last light of evening (below).

To learn more about the exhibition here are some links: Wireless Arts 05, 2010 Art Catalysis and Culture.fr .

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Trains

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boundary. When

My site

It has been over two months since I installed my experimental workshop in the gorges of the White. I started working on a tributary, then I walked the narrow depths, wet and slippery in this valley. From there I went back upstream, taking advantage of all these places I found to affix my ephemeral traces on the black rock or rocks. Currently, the entry or exit, depending on where you come from, what interests me. Alas, I am not yet willing to show you what I created in the gorge but for those who inhabit the region, it is still possible to see what's coming password. Despite the recent disappearance of several works, most of them are very well maintained despite the succession of rainy weather in recent weeks.

Illumination

Last night while I was finishing my last achievement, I was surprised by the speed of dark. The recent schedule changes are a bit tricky to understand, especially in this place which is very fast in the shade. With the lack of brightness, I have not even had time to take pictures. I returned this morning to capture the scene. The sun was well in the axis of the valley when I started taking the pictures. The bottom of the gorge was slowly lit up to create this thin corridor of light.

terminal Hydrometric

When I saw the morning light in the middle of the river, I immediately sought to achieve something . I chose a few pebbles rolled rapidly to the bottom of the stream and put them balanced on a bed of gravel surfaced in the light. Beyond this assembly might sound simplistic and trite, it is something much stronger in this valley that gives a true identity. At first glance, it's a groove like the others that drains water from a tray and a massive upstream. But it is also an administrative boundary. On the left, you're in the Hautes-Alpes and right, in the Alpes de Haute-Provence. To my knowledge there is no big distention between the two sides but there is always this kind of report suspicious registrations between 05 and 04. To believe that we do not have the same standard. At

my last show, I set the location of some of my works that were on the administrative border as in " hautesalpesdehauteprovence . Since then, I tend to keep that name for all works which, like this, will find themselves in the middle of this route map that defines the territory. The explanation of the genesis of all this is in preparation.